Monday, April 23, 2012
Wednesday, April 11, 2012
My Top Of Line Text
I am most likely going to be a more spontaneous photo
shooter for this project, but for the sake of this assignment, I will ignore
that.
Image 1- I like the idea of a capturing a picture of someone
sliding down the hallway in their socks jamming out. The text would contain
something along the lines of “The me you don’t see”
Image 2- In this next photo I see a sort of dividing line in
the middle one side full of bright “good” colors, and the other full of darker
“bad” colors. I think this would be best with combining two different photo
shots. The text would be written as “The Valley Of Decision”
Image 3- I want a picture of those moments where you see a
lot of people looking down on their phones or ipods, not really socializing, and
then capturing the text
“ Are we robots?”
Monday, April 2, 2012
Wednesday, March 28, 2012
Bobby Mallernee's critique on Zieph Playing with light
The first picture immediately captured my attention.
You are peering through a bicycle tire’s spokes. Half of these spokes are light
and half are completely dark. The red line cutting the dark frame of the
picture adds another level to the photo. Throughout the collection of photos
you are made aware of some great decision Zieph has made. His placement of the
camera in each photo proved to be vital in capturing his light. The alternative
perspective seems to come in play with every single photo. He made top quality
use of his black and white photo. The techniques that have been taught in class
have clearly been applied. One thing I would have done differently, is instead
of two pictures of the sky only used one. He has such a broad range of the type
of photo that he can capture, that it leaves me wanting more. To have another
type of unique photo would only enhance the artwork more. All in all these
photos used all the aspects of the project correctly, and the artist showed a
clear ability in raising the bar.
Monday, March 26, 2012
Bobby Mallernee’s critque on Zieph’s Art Work. Sequence
Bobby Mallernee’s critque on Zieph’s Art Work.
The three movement photos Zieph
captured were astonishing. He was able to capture so much emotion through his
artistic mind. The first set of photos I found particularly entertaining. He
used the landscape and nature around him to create a great landscape. His
sequence captured a rock being thrown over his head, only to come crashing down
in a pond. The splash was captured perfectly in the last photo making for a
perfect ending. I really enjoyed the placement of his camera, he used his timer
settings to the fullest extent.
The
second photo was captured through a fish eye lens. This was able to bring an alternative
perspective into the mix. There were several frames within a frame to be
appreciated. To cap off the message in the second photo, a real conceptual item
was put in place. The stunt man has a girl in the bottom right shown sitting,
and watching his every flip. This brings the idea of maybe just maybe the man
is performing these stunts to impress her. Its always fun to look at pictures
and make up a story in your own way, this particular photo did a good job at
capturing just that.
Lastly
the third photo caught creativity at its peak. The horizon was used perfectly.
He changed focus’s throughout his photo sequence. This change of focus really
made the photos become more and more appealing. Then, there it was, the photo
to elevate my opinion on the whole sequence. The third of four photos brought a
particular interest to my eye. There is smoke blowing in the wind towards a man
walking in the water, with ripples surrounding him. The way Zieph captured just
half of the guy blowing the smokes face helped elevate my interest.
Monday, March 19, 2012
Wednesday, February 22, 2012
Monday, February 20, 2012
Feb 27th Assignment
Through experiences in life people
I have become involved with tend to struggle from the same issues that I
have. You
tend to become acquainted to people who share the same problems you may have to
deal with. One issue that has always arisen is, who am I? It takes looking back
on the choices and decisions one has made that decides the answer to this question. I have seen
many people that have easily figured out this first step, but struggled
substantially with the last factor. The ones who don’t become who they are
meant to be are the ones who are afraid to grow. In order to grow you have to not only look back on the decisions you have made in life, but also make the necessary corrections for who you want to become. Everyone has his or her own way to soar as the picture clearly
captures. Just have the courage to grow into the person you want to be.
Wednesday, February 1, 2012
SAY WHATTTT
Aperture- f/13
Shutter Speed- 1/50 sec
Vertical or Horizontal Format, Rule of Thirds, Symmetrical Balance, Converging Lines, Curvilinear Lines
Aperture- f/5.6
Shutter Speed- 1/250 sec
Vertical Format, Rule of Thirds, Asymmetrical Balance, Converging Lines, Curvilinear Lines, Movement
Aperture- f/13
Shutter Speed- 1/50 sec
Vertical Format, Rule of Thirds, Asymmetrical Balance, Converging Lines, Curvilinear Lines, Movement
Aperture- f/5.6
Shutter Speed- 1/160 sec
Closed Frame, Horizontal Format, Rule of Thirds, Asymmetrical Balance, Converging Lines, Curvilinear Lines, Shape
Aperture- f/5.6
Shutter Speed- 1/80 sec
Vertical Format, Rule of Thirds, Symmetrical Balance, Converging Lines, Curvilinear Lines, Shape,
Aperture- f/8
Shutter Speed- 1/50 sec
Vertical Format, Asymmetrical Balance, Converging Lines, Curvilinear Lines, Shape
Aperture- f/18
Shutter Speed- 1/80 sec
Aperture- f/16
Shutter Speed- 1/25 sec
Horizontal Format, Rule of Thirds, Symmetrical Balance, Converging Lines, Curvilinear Lines, Shape, Frame within a Frame
Aperture- f/18
Shutter Speed- 1/50 sec
Horizontal Format, Rule of Thirds, Symmetrical Balance, Alternate Point of View, Converging Lines, Curvilinear Lines, Shape, Frame within a Frame
Aperture- f/18
Shutter Speed- 1/25 sec
Vertical or Horizontal Format, Rule of Thirds, Symmetrical Balance, Converging Lines, Curvilinear Lines
YEAH BUDDY
Monday, January 30, 2012
Monday, January 23, 2012
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